| Question | Answer |
| supervising sound editor | puts all sonic image together |
| music editor | liason between composer and director |
| composer | music |
| 2nd unit director | director at other place |
| continuity clerk | make sure everything same |
| stand in | for run throughs |
| wrangler | animals |
| dolly grip | works with camera crew |
| location manager | where? |
| editor | film |
| art director | "look" of film |
| key grip | head grip. in charge of all grips |
| stage grip | moves stuff on set |
| best boy | foreman. assistant lighting. |
| gaffer | lighting |
| assistant director | third in charge on set. schedule. crowd scenes/on set directing. |
| cinematographer/director of photography | 2nd in charge on set. everything visual. |
| director | artistic |
| producer | in charge. finances. |
| example of mood setting | alfred newman song of bernadette |
| example of leitmotiv | jaws- john williams |
| sideline musician | extra "playing" source music. like guitar player in jaws. |
| example of implied source music | radio playing i honestly love you in jaws |
| example of qualified source music | guitar player on beach in jaws |
| 3 instruments used in silent films | 1. piano 2. organ 3. phonograph |
| 3 reasons for silent films to have music | 1. cover up the silence 2. draw people into the tent 3. cover up noise of projector |
| Alfred Newman | the newman dynasty. high syrupy sounds. song of bernadette |
| max steiner | worked 30 years. trained every composer that came through WB. typically melodious scores. mickeymousing. notable films: gwtw, cassblanca, king kong |
| 6 phases of scoring | 1. initial meeting 2. spotting session 3. composing 4. orchestrating 5. recording 6. dubbing |
| 5 w's of film scoring | why, where, when, what, who |
| spotting session | composer and directer decide music. character, setting, or action. |
| 6 ingredients of music | 1. melody 2. harmony 3. rythym 4. timbre 5. dynamics/articulation 6. form |
| the jazz singer | 1927-28. both silent and dialouge. marks change in film sound. |
| conceptual mickeymousing | gone with the wind. scarlet's emotions |
| direct mickeymousing | king kong |
| mickeymousing | mimicking sonically what you see visually 1. direct 2. conceptual |
| 1933 king kong | put music on film. steiner. able to layer sounds. mickeymousing. |
| 2 techniques of source music | 1. implied 2. qualified |
| techniques for underscore | 1. leitmotif 2. mickeymousing 3. moodsetting |
| 4 sound effects | 1. foley 2. creature 3. designed 4. ambient |
| 3 types of film sound | 1. dialouge (adr) 2. sound effects 3. music |
| 3 stages of creating the visual image | pre production, production, post production |
| leitmotif | aka signature. associated with something extra musical. ex: jaws theme |
| theme/motif | aka motive. rythym, melody |
| synching sound with picture | 1. the newman method: streamers and punches 2. steiner's method: click track |
| music fundamentals | timbre/orchestration |
46 cards - created oct 13, 11:24am
groups
- None
category
none